ARTIST STATEMENT
I think I've been an artist since a young age, with creativity at the core of everything I do. When I connect with a place it becomes a part of me. Every location I visit, whether it's the remote regions of Central Australia, the coast, my birthplace in England, or my travels around the world, leaves an imprint through its natural beauty, light, and colour. These places not only forge connections with people, relationships, and history but also shape my life journey, which I express through my creativity. My art transcends the physical landscape, embodying the spiritual and emotional ties that these locations represent. In my studio, I embrace an intuitive and exploratory painting approach. The most fulfilling work emerges when I allow myself to be guided by the materials and my instincts, rather than forcing the artwork to fit a specific vision. By remaining open to the unexpected direction a work can take, I tap into a sense of flow and spontaneity in my creative process





ENCAUSTIC PAINTING
ENCAUSTIC WAX
I have always painted with acrylic or oils and loved the practice of printmaking. Over the last few years I have discovered painting with encaustic wax - and I have found my medium! It offers me everything that I have never found in more traditional mediums - the ability to build up surfaces of layered wax and then work back into it with any tool that I choose to create marks that are really expressive and spontaneous. The wax is malleable and rich, it can be reworked and a surface can change in an instant, creating new possibilities for the direction of a painting.
​
Encaustic painting was invented by the ancient Greeks and was brought to the peak of its technical perfection by the genre painter Pausias in the 4th century BCE. The process involves working with molten beeswax infused with Damar resin and vibrant pigments. After the wax is applied to the board, it must be heated to fuse it to the layer below, this fusing is an essential element of the process.